Parallel Directions
DJ, SAXOPHONE AND VIOLIN
Highly engaging live parties
Over 200 events a year and the 2026 Wedding Awards.
from €350 to €3,500
Specific request for festivals and public events
The Street performers and walkacts bring life where the public does not wait sitting: streets, villages, public squares, markets, promenade, parks and festival areas. Itinerant Artists, waders, living statues, mime, musicians, theatrical characters and surprise interventions create short but memorable encounters, capable of slowing down those who pass and making the entire route of the event richer. They also help to orient people, give atmosphere to accesses and hold the public in the moments of waiting. However, the choice must respect flows, accesses, visibility, present age and degree of interaction desired. The real value of a travelling artist is to give birth to wonder without stopping the square badly.
Choose Artisti di strada per un festival It means deciding how to live the spaces between the stages. A wader can guide the look over the crowd, a living statue can create a photographic point, a mime can hold small groups, a traveling musician can accompany the passage without creating congestion. Not all interventions must stop the audience: some serve to distribute attention, others to surprise at a precise point. Before the quote clarify path, timetables, crowding, expected stops, noise limits and areas not to be blocked.
Stilt and travelling artists are very visible and work well in parades, inaugurations, markets and wide streets; living statues ask for a stable point and often become photographic call; mimes, close-up wizards and theatrical characters work on the direct encounter. The choice must be made on the type of audience: families, tourists, children, adults, visitors passing or spectators already motivated. Always ask videos in open contexts, costume, actual duration, way to interact, possible music and ability to change rhythm if the area is filled or emptied.
A traveling artist for public event It must understand when to approach and when to leave space. Interaction works if it is light, respectful and suitable for the age of people; it becomes weak if it forces, embarrasssssss or blocks the way. In family festivals it is considered wheelchairs, small children, elderly, animals, disabilities and points of greater crowding. Ask how the artist manages photographs, small groups, requests of the public, breaks, movements and reports of the organization. The quality lies in the naturalness of the encounter, not in the insistence.
In the preventivo per Artisti di strada e walkacts The number of artists, duration, replicas, path, breaks, costume, music, amplification, minimum space, assistant if necessary, arrival, preparation, transfers, food and accommodation, permits, insurance, replacement in case of impediment and emergency plan in case of rain. Ask even if the artist works well in full sun, in the dark, on irregular flooring or in windy places. Itinerant interventions seem spontaneous only when times and borders have been clarified before.
When you want to animate streets, markets, promenade or scattered areas without concentrating everyone in front of a stage.
When you need a visible presence at the entrance, between the stands or in the waiting moments.
When you want to create photo-reunions, spontaneous memories and atmosphere without interrupting the program.
Itinerant interventions: artists moving among the public, creating short meetings, amazing images and small interactions. They can be waders, living statues, mime, theatrical characters or mobile musicians.
When the event has routes, routes, stands or more areas to animate. Itinerant artists distribute attention and make alive also what happens between a main moment and the other.
Yes, if the interaction is proportionate and not intrusive. Too intense costumes, sudden movements or strong sounds may not be suitable for everyone: the type of audience needs to be clarified.
Depends on the artist. Living statues and waders often do not require any current; musicians or characters with sounds can ask for light amplification or autonomous batteries.
With studied route, limited stop points, correct times and clear indications to the artist. The narrow areas, accesses and escape routes must not become points of call.
Usually you work for exits or time slots, with breaks between one intervention and the other. The duration depends on costume, physical effort, weather, path and intensity of interaction.
Real videos, duration, replicas, route, costume, space, technical requirements, insurance, weather conditions, transfers and how to interact with the public.
Number of artists, duration, replicas, route, costume, technique, assistant, arrival, preparation, breaks, transfers, food, accommodation, permits, insurance and bad weather management.