The Sign of Jazz
MUSICAL ENSEMBLES FOR EVENTS
Jazz-inspired elegance for bespoke events
Since 2011, he has been booking artists and bands for weddings, festivals and clubs.
from €360 to €1,500
Guide for festivals and public events
DJs and hosting for public events They hold together what the audience sees and what the organization must make happen: music, announcements, stage changes, sponsors, institutions, service communications, technical and final times of the evening. In a square or festival it is not enough to put songs or speak well to the microphone. It needs a direction capable of reading energy, security, running order, public, service and unexpected. A DJ can turn on the final part; a presenter can give order and authority to the passages, building public confidence. The right management does not occupy the event: it makes it flow in front of the public without showing the seams.
Choose DJ and hosting for a public event It means deciding who governs the time perceived by the square. Between a concert and the other, during a stage change, before an award ceremony or in the dancing final, the audience must not feel empty, confusing or unexpected. The DJ works on energy and musical continuity; the presenter gives voice to playlists, sponsors, institutional greetings, notices and passages. Before the budget clear program, timetables, audience, tone, language, mandatory communications, available service and margins of improvisation.
A DJ for public events It can open an afternoon, accompany waits, connect artists or close an evening with more energy, but it must respect schedules, volume, contents, present age and organizational indications. Ask for musical genres, duration, possible hosting to the microphone, management requests, songs to avoid, technical tests, relationship with the sound and willingness to change intensity if public, weather or program require it.
The presenter for public event It must not only take in the event. It must pronounce correct names, respect institutions and sponsors, give useful information, introduce artists, cover delays, manage awards and communicate any changes without creating alarm. In the square the voice must be clear, authoritative and measured: too tired protagonism, too coldness turns off the event. Ask for experience in public contexts, already managed ladders, ability to read the audience, language, tone and willingness to prepare texts or presentation cards.
In the DJ budget and conduct of public events The duration, timetable, role, content, playlist, microphones, consoles, connection to the service, audio test, arrival, assembly, disassembly, music permissions, transfers, food and accommodation, extra hours, replacement in case of impediment and emergency plan in case of rain. For the presenter clear texts, names to be mentioned, sponsors, authorities, prizes, security notices and contact person in direction. Voice and music must know who commands the times.
When it's necessary to cover technical times, keep your attention and accompany the audience.
When you want to end the evening with music, energy and controlled volume.
When sponsors, authorities, awards and communications require prepared voice.
It is necessary when music must open, connect or close the evening, maintaining energy and attention during waiting, changing stage or final.
It serves when there are sponsors, institutions, different artists, awards, greetings, service ads or communications that must arrive to the public in an orderly manner.
Sometimes yes, if the professional has both skills. In more complex events it is better to separate music and hosting so as not to lose quality in the steps.
Playlist, names to be cited, authorities, sponsors, awards, artists, times, security notices, event tone and contact person that can authorize changes at the moment.
With clear playlist, music or short speeches, technical ready, informed presenter and realistic times. The audience must understand that the event continues, not that it has stopped.
Music suitable for age and time: recognizable, inclusive, with consistent content and controlled volume. Selection must respect public context and organizational indications.
Yes, especially for microphones and connection to service. Voice and music must be clear throughout the area, without whistling, delays or excessive volume.
Duration, timetable, role, music, hosting, microphones, consoles, audio test, arrival, permits, transfers, food, accommodation, extras, replacements and floor for bad weather.