Amélie & Alex
PIANO AND FEMALE VOICE
The best live music, full of joy and class
Over 500 high-quality events, always organised with elegance and professionalism
from €400 to €1,800
Guide for festivals and public events
I concerts and festival bands The public event is given its most anticipated moment: the stage is on, the audience stops, the square changes breath and the evening finds a center. But a concert for a festival is not only chosen by listening to a beautiful voice or a successful video. It needs suitable repertoire, stage hold, technical data sheet, audio testing, assembly times, service, security, stage change management and ability to speak to a wide audience. The right band does not fill the stage: it holds together energy, technique and collective memory without losing control of the event to those who organize it.
Choose concerts for a festival It means evaluating artists capable of working in front of a non-homogeneous audience: families, young people, tourists, residents, sponsors, institutions and people passing through. A club band can be excellent but not hold a square; a very technical training may not speak to a popular audience; a too noisy proposal can create problems with timetables and neighborhoods. Before the budget clarify the goal of the evening, duration, schedule, expected audience, repertoire, language, level of involvement and role of the band in the overall program.
A live band for festivals can bring original energy, cross-section repertoire or a musical project with strong identity. Tribute band for public events can offer an immediate call because the audience recognizes songs, imaginary and expectations. The choice depends on the theme of the event, age range, time, communication and budget. Ask for full videos, not only extracts, orientation running order, duration of sets, pauses, possible encores, demand management and ability to adapt to delays, institutional presentations and volume constraints.
In the concert in the square The technical data sheet is decisive: number of musicians, instruments, channel list, microphones, monitors, minimum stage, current, lights, arrival times, audio and technical personnel must be known before. If there are more bands, stage changes must be arranged with precision: instruments, batteries, amplifiers, cables and locations cannot be improvised. Ask who provides what, which service is required, if you need shared stage instrumentation and who coordinates sound, lights, presenter and production manager.
In the quote for bands and concerts for festivals The price is only useful if it makes clear what needs to happen before, during and after the concert. The price is only useful if it is clear what needs to happen before, during and after the concert. It is not possible to use the program to make the program available to you. It is not possible to use the program, but to use the program to perform the program.
When it takes a central moment to recall and retain mixed public.
When you want recognizable repertoire and immediate communication to different age groups.
When more artists have to alternate with coordinated technical, service and management times.
It works a band able to speak to mixed audiences, with readable repertoire, good stage presence, clear technical data sheet and ability to respect times, stage and indications of the organization.
It depends on the target. The original band gives identity and discovery; the tribute band offers immediate recall and recognizable tracks. For popular public squares often recognition helps a lot.
Because it allows service and organization to know instruments, microphones, channels, monitors, stage, current and time. Without technical data sheet increase delays and problems on stage.
Often between 60 and 90 minutes, but depends on schedule, schedule, audience and stage changes. Longer durations require breaks, solid running order and audience hold.
Usually service, sound and band together. Time, duration, stage access and priorities should be defined first, especially if they play more artists on the same day.
We need a schedule, stage change prepared, instruments shared when possible, presenter, stage technician and unique contact person who decides times and priorities.
A written plan is needed: covered stage, technical protection, postponement, displacement, suspension or cancellation, with economic responsibility and communication to the public already defined.
Cachet, duration, musicians, repertoire, technical data sheet, audio test, stage, service, lights, transfers, food, accommodation, permits, insurance, extras and replacements.